STEP 1: In Photoshop or Illustrator create a PDF portfolio page like the sample. Dim: 1024 px x 1645px x 150 ppi (resolution). (These dimensions are more a guideline and you can vary it if you have a different idea for your layout)
6 images from previous classes and your own work
add descriptions of the images: what tools and techniques did you use?
place a banner of your own work on top
a title (Portfolio of Work)
save the file as a Photoshop PDF or Illustrator PDF
STEP 2: Create text fields in Adobe Acrobat Pro and add descriptions to your work. The descriptions need to state what tools and functions you used.
STEP 3: Save the final PDF and upload to MyKangan.
Follow the in-class instructions on how to use the Crop Tool or follow the tutorial below the image.
The crop tool works on two basic levels:
free-hand – simply select the crop tool (Shortcut C) [Visit Shortcutworld for more Photoshop Shortcuts] and drag a window over your image. You can adjust the size of the crop selection by dragging the edges and corners. You can even rotate your crop selection (with CS4 or higher). Hit Enter to complete the crop action and accept the new size.
key in dimensions – after activating the crop tool enter the width: 500 (in px for web), the height: 600 (in px) and the resolution: 150 (72 is suitable for web)- the values need to be entered in the options bar (also called properties bar). See image below as an example. Next drag the crop window and press enter to except the change.
Note that the window is restricted in its scale.
Follow the in-class demonstration. A nice and basic function, it allows you to change the brightness and correct the contrast. Move the slider to change the values.
Tick and untick the Preview box to observe the changes before accepting it.
With the Levels function you can adjust problems with tone (eg a photo that is very grey and does not show enough dark and light aspects) or colour related problems (eg too much blue).
The Short Cut: Ctrl+L (Cmd+L) or use: Image>Adjustments>Levels
Overview: follow my in-class introduction to how to use the Levels in simple steps. Use the attached photo by Matthew Bridges of the old house at a lake.
The easiest and most basic way to apply the Levels function is by moving the sliders for the highlight (white) and shadows (black) below the graph of the input levels inwards. Moving the highlight will brighten the image up and moving the shadow will darken the shadows.
This is a good basic function to start of with and it is useful for the majority of your photos, may they be basic shots or more sophisticated and at higher resolution.
Follow this tutorial to learn how to use the Level Adjustment more detailed and how to create an Adjustment Layer:
Follow the in-class demonstration (shortcut: Ctrl+M or: Image>Adjustments>Curves). The Curves function is similar to the Level function, but the graph is a lot more visual and intuitive. You can manipulate it with your mouse. See image:
The short cut is Shift+Ctrl+L (or: Image>Auto Tone). Follow the in-class demonstration. The Auto Tone function readjusts tonal settings in your image and in most cases this results in a crisper image with the click of a button. The Auto Tone option looks for the darkest and lightest points in an image and resets them to pure white and black, resulting in clearer tones.
Because Auto Tone adjusts each color channel individually, it may remove color or introduce color casts.
Follow the in-class demonstration.
The short cut is Alt+Shift+Ctrl+L (or: Image>Auto Contrast). Auto Contrast adjusts image contrast automatically, at the click of a button. Unlike Auto Tone it will not affect colours. It clips the shadow and highlight values in an image and then maps the remaining lightest and darkest pixels in the image to pure white and pure black . As a result the image will have lighter highlights anf darker shadows and a crisper contrast.
Follow the in-class demonstration.
The short cut is Shift+Ctrl+B (or: Image>Auto Color)
Auto Color adjusts the contrast and color of an image. It is able to search images for shadows, midtones, and highlights. It then neutralizes the midtones using a target color of RGB 128 grey and clips the shadow and highlight pixels by 0.5%. Personally, and from experience it effects images less and Auto Contrast and Auto Tone bring more convincing changes in image quality.
Follow the in-class demonstration. Click: Image>Adjustments>Vibrance
As the name suggests this function will help you making a photo look more vibrant. Colours can be shown more intensely with higher saturation. It is easy to grasp this function, simply move the sliders to the right to increase vibrance or move them to the left to decrease vibrance.
Follow the in-class demonstration. (Ctrl+U or Image>Adjustments>Hue/Saturation)
Follow the in-class demonstration. Press: Image>Adjustments>Photo Filter.
One of the best image adjustment options, you can select from a set of preset filters: use a warming filter to create a lighting sense that you would encounter indoors, in autumn (fall) or during a sunset when there are more yellow, orange and red colours around. Use a cool filter to create a typical outdoor setting or a winter atmosphere. You can tick the Color box and select your own colour or select a colour from the image itself (simply click on the part of the image).
You can also change the amount of density, more density results in a stronger impact of your filter. Find a level that you like – try to be more conservative and chose a little less density than you like for a print).
Follow the in-class demonstration. Click: Image>Adjustments>Shadows/Highlights.
With the shadows and highlights you can easily lighten up an underexposed, dark image. Use the functions sparsely to not overdo the changes, which can easily create an unrealistic look. The image shows the changes on a dark photo.
Use an Adjustment Layer
All the image adjustments that we have looked at above can be done directly to an image or in from of an adjustment layer. It is far better to create an adjustment layer, this allows you to create changes in form of a layer. You can always delete or hide the layer and your original image remains unaffected.
How do you create an adjustment layer?
With your original layer selected click on the Create a new fill or adjustment layer button and select what type of adjustment layer you want to create. Next do all the adjustments to it.
Alternatively you just click on the Adjustments tab and select the Adjustment Layer that you want to create.
Task in Class
Perform these two tasks to show that you understood today’s class ( If you have missed this class you need to do this!!!)
Use the image by Matthew Bridges (or select an alternative image). Use the crop tool and resize to 500px x 600px at 150ppi (resolution). Apply 6 different image adjustment layers and mask them off in strips (see examples of student work). Add titles to your strips. E-mail the file to me as a PNG (not PSD) and keep a copy for yourself.
In your second task I would like you to use Matthew Bridges’ image only. The photo is very grey and it looks foggy. I would like you to improve the image using any of the image adjustment functions that you have learnt about. When you are happy with the improved image e-mail me a PNG version of it (no need to crop the image).
Create a before and after version of the image.
Swiss International Style – Joseph Müller-Brockmann – Beethoven – found at www.designhistory.com
Swiss travel poster from 1934 by Herbert Matter – Source: http://swisstype.wordpress.com/work/
Britons, Lord Kitchener Wants You! Propaganda poster design from WWI by Alfred Leere. Image: courtesy of WorldWarEra.com
Illustration by Jessie Ford, found on DzineBlog.com
Couple found at http://frenchbydesign.blogspot.com.au
Mosaic of Sofia Coppola – by Maurizio Galimberti – www.mauriziogalimberti.it
Milk Poster – Swiss International Style Reference – by Annabel Stephen Salip
Text and Shapes – This design lends itself to an interactive use – found at: Smashing Magazine (click image for inspiring article on table of content design)
Custom Shapes and Custom Shape Icon
A Beautiful Piece by Aerosol found on his Facebook
Illustration by Kate Miller, found on DzineBlog.com
Image from morgueFile by lemai13
Work by Jo W
Text and Shapes – This design lends itself to an interactive use – found at: Klafferty.com
Study – Lines and Grace Kelly – by Federico Viola photo: courtesy of GettingCheeky.com and curved lines wallpaper: courtesy of FreeFever.com
Poppies – Vector art Federico Viola based on photo by hotblack from morgueFile
Only practice will help you learn! Photo by BreonWarwick on morgueFile
Text-based Table of Content – Very Graphic and Black and White- found at: Smashing Magazine (click image for inspiring article on table of content design)
Uncle Sam Wants You, WWI Propaganda Poster for US Army recruits, Design by James Montgomery Flagg, 1916, image found at: Live Auctioneers
Vista Lighting Effect – Courtesy of: Tutorial9
Screenshot of Endless Alphabet 2, courtesy of AppsPlayground.com
Photo by mcconnors on morgueFile
Experimental Photomontage by Robert Heinecken
Example of applied changes
The gentle curve of the river and the light green tones of the grass give this image a calming feel. The montains and the clouds have a less calming effect. Image: courtesy of Icon Photography School – http://www.photographyicon.com/line/
‘For Great Road Trips: Switzerland’ Poster by Herbert Matter in (Swiss) International Style – Source: http://swisstype.wordpress.com/work/
Work by Justin Anderson
Based on image by hotblack on morgueFile.com – F.Viola
Concept for Gallery Screnshot
Massive Attack – The Essential Mix
The underlined text and insertion point at end of the word indicates that you are still in the type mode.
Illustration: Jamie McKelvie – Art Brut Record
Close-up at Fed Square, Federico Viola 2013
Jenga, photo courtesy of: Design-Crit.com
Based on photo by dhester from morgueFile.com
Colourful Table of Content – Ribbons in Primary Colours – found at: LifeBlue.com
Table of Content from Textbook – This design lends itself to an interactive use – found at: Smashing Magazine (click image for inspiring article on table of content design)
Outlined text changed in size and colours dropped into the individual letters with Eyedropper tool using LMB + Alt
Work by Egon Schiele, found at Mom.org
Found at Inc.com
Light Streaks – Courtesy of: PhotoshopEssentials
Photo by DTL on morgueFiles
From ‘Henri’s Walk to Paris’ 1962 – children’s book by Saul Bass Found at: Brainpickings.org
Photo by agathabrown on morgueFile
The swirls in the image are made up of numerous lines. Courtesy of: www.openprocessing.org
Photo by dharder on morgueFiles.com
Image source: Data Center Knowledge
Based on photo by xandert found on morgueFile
Screenshot – 82 Everyone is a Marketer by Seth Godin from What’s Your Story by Joyce Hostyn
Multimedia Production Cycle – This image is under the Creative Common Agreement, you can use it but will need to reference this site: www.classoffederico.wordpress.com
Photomontage: Amir Ebrahim Photography
Using the Reflect tool (o) to reflect the i downwards as if it has collapsed in front.
Photo by frenchbyte on morgueFile
Illustration by Jessie Ford, found on DzineBlog.com
Based on a photo by delboysafa from morgueFile.com
Photo by clarita on morgueFile
Leonardo’s St. John the Baptist, Louvre, Paris, Image: courtesy of A World History of Art – www.all-art.org
Courtesy of The Art of Mass Effect Universe’, 2012
Some of us have there most enjoyable moments in nature at the beach, Photo by rivediamoci on morgueFiles
Photo by Seemann on morgueFile.com
The Face by drfranken found on ChromoArt.de
Lines and Gradients- Courtesy of: psdtuts+
Illustration by Gary Neill found on Dzineblog.com – http://garyneill.com/ http://garyneill.tumblr.com/
Photo by matthewbridges on morgueFile.com
I Want You – Emily Strange, The lovable Emily Strange came to life in 1991, designed by Nathan Carrico for Santa Cruz Skateboards. She is referred to as a counterculture icon. I would just call her a sceptic. Image found at: Kollectable Kaos
Your Lipstick Needs You, an entertaining take by Digital Media Artist Samantha Cain. Courtesy of: Samantha Cain, http://www.behance.net/samanthacain
Photo by clarita on www.morguefile.com
The Glossy Reflection is transparent on top and gets whiter towards the bottom.
Photo by hotblack on morgueFile.com
Setting the grid up.
Contemporary design in style of Construcitvism by Teo Brito found at LauraGreen92 – click image for more information and link to her blog
Illustrator unknown – found at: Ephemera – World of Rare Books
Illustration: Jamie McKelvie – Suburban Glamour Comic Series
Source: morgueFile, Photo by matei
This is a template for a business website found at TemplateMonster. It is interesting in the sense that it breaks up the main image as part of the navigation. The sound it comes with is annoying.
Steel Curves, Image: courtesy of flickr.com, photographer: Margeois.